About part of the way through Vigilante Diaries, Michael Madsen gazes specifically into the camera and says that the “best laid arrangements can transform into an enormous clusterfuck.” That would be a well-suited depiction of precisely how Vigilante Diaries plays out in the event that I accepted for one second that there were any arrangements laid by any stretch of the imagination. This is the most indiscernible sort of silver screen, a film where each component feels hapharzardly put together in the trusts that somebody will need to pay to see it. To call it moronic is a compliment to ineptitude. To call it dull would be the modest representation of the truth of the year. To call it uncouth doesn’t start to portray it.
“Plot” is much excessively liberal a word, making it impossible to portray the amalgamation of scenes that have been put together in the trusts of making a similarity of story.