The film’s title originates from an understood piece for piano, one of various known tunes that play on Aram’s economical “best of the works of art” CD. Acknowledgment of the piece later goes about as a trigger that sets the damaged schoolgirl on her trail of retaliation.
Scherzo Diabolico’s third demonstration takes an appreciated transform into dark comic drama, and its surprising snippets of viciousness will probably rouse huzzahs from midnight groups of onlookers. One specific picture of violence is essentially theoretical expressionism. However these snippets of dull fun are uncontrollably inconsistent with the psycho-sexual torment of the prior scenes. It simply doesn’t feel right to have a decent time.
Bogliano’s past picture, Here Comes the Devil, correspondingly played with funniness and ghastliness, yet did as such in a strange extraordinary setting. This would-be Coen siblings trick doesn’t have enough creativity to legitimacy mobilizing behind such faulty topic.