Okwe buckles down at two occupations. He drives a minicab amid the day, works throughout the night at the inn, purchases unlawful herbs at a nearby bistro to keep himself pretty much conscious. He knows that Senay likes him and would not question on the off chance that he moved from her sofa to her bed, however he should be consistent with a spouse in Nigeria; his dedication turns out to be more impactful the more we find out about the wife (“It is an African story,” he says just).
The heart of the motion picture, coordinated by Stephen Frears, is in the lives of these individuals. How they are constantly aware of profit as an afterthought (as when Okwe and Ivan supply their own money just room administration sandwiches after the lodging kitchen closes). How they live in consistent trepidation of movement authorities, who need to oust them, despite the fact that an advanced Western economy couldn’t work without these shadow laborers. How there is a system of contact and backing in this shrouded world, whose inhabitants originate from such a variety of spots and talk such a large number of dialects that they quit keeping track of who’s winning and essentially acknowledge each different as residents of the place that is known for outcast.