In one of the last gwonbeon; houses committed to boarding and preparing imminent gisaeng, we meet So-yul. As the girl of a noticeable and mainstream gisaeng, So-yul has her spot as the beneficiary to the long custom truly. Being held in such high respect and troubled with such a substantial obligation, avoids her as much as possible from the other young ladies around her; so the hardship of another tyke some way or another works in So-yul’s support. Poor and motherless, Yeon-hee has been sold to the gwonbeon to pay her dad’s obligations.
So-yul promptly takes to the hopeless young lady, cheerful to have a genuine companion, and Yeon-hee rapidly falls under the spell of So-yul’s sunniness and minding. As the indistinguishable combine develop into young people, the young ladies feel similar commitment to the work of the gwonbong, while sharing a love of the new, mainstream tunes scoffed at by specialists of the exemplary expressions.