Shy of getting Leonardo DiCaprio to give side editorial from an air pocket shower, “Equity” could barely design itself all the more honestly as the counteractant to a subgenre of film that, in accordance with the unbalanced corporate domain it delineates, is ruled by forcefully male force structures. As narrating, it’s a stringently all-business issue, with insufficient time for the jovial frivolities of “The Big Short” or the previously stated “Wolf”; it scores a lone paunch chuckle with its hero’s energy stumbling freakout over the measure of chocolate in a treat she’s served. (“Three motherf—ing chips!” she shouts at a puzzled male subordinate; a pic prepared minute, ought to the film grab hold with a crowd of people.) “Equity’s” relative sternness of tone scarcely feels unintentional, given its depiction of an expert scene where ladies need to work strenuously to persuade male partners and customers of their reality.
Press materials gloat that Menon has made “the main female-driven Wall Street motion picture,” a case that might be countered by certain enthusiasts of Mike Nichols’ “Working Girl” however in any case, “Equity” is light years expelled from the milder-mannered, male-imagined wish satisfaction of that work environment drama.