The visual look begins inappropriately by washing every edge in a cloud, endeavoring to make a fantasy state through delicate concentrate as opposed to bearing. Entryway hops and film flashes are tore right out of a Nine Inch Nails music video from 1994. Moderate movement heads turns as a lady walks by and light shot through a turning roof fan, which is used in more than one scene, round out the kitchen sink way to deal with making a search for the film. This sort of style without reason for existing is void and trivial. It is what might as well be called a shoulder shrug as “The Big Bad” trusts no less than one thing it tries may adhere to a divider.
For flashback scenes as Frankie describes an adolescence mischance, grainy 8mm film plays over her discourse to sledge home a vintage feel. Be that as it may, the home motion pictures indicated have nothing to do with what she portrays.